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Livjægerne paa Amager
Peter Elfelt, 1906
Ballet by August Bournonville 1871. With Hans Beck, Valborg Borchsenius (née Guldbrandsen) and Ellen Price.Royal court photographer Peter Elfelt (1866-1931) was Denmark's first filmmaker.
Ned med Vaabnene!
Holger-Madsen, 1915
Martha, a war widow, finds a new zest for life when she meets the noble Captain von Tilling. They marry, but before long he, too, is called to war. In his absence, Martha falls into a depression and is hospitalised.
Pavillonens Hemmelighed
Karl Mantzius, 1916
On his way home from a business trip, the young detective Karl Frank meets the siblings Kuno and Margit von Krall. Immediately captivated by Margit’s beauty, Frank accepts an invitation to visit them at their hotel soon. That same evening, he is hired for an important mission: he must prevent a burglary at the city’s jeweller.
Der var engang
Carl Th. Dreyer, 1922
FRAGMENT | The Princess of Illyria has spurned every suitor, when a gypsy loitering around the castle catches her eye. In actuality, he is the Prince of Denmark, there with his friend Kasper Røghat. The prince captivates her with magic devices, a noisemaker and a copper kettle, in return for kisses and a night in her bedchamber.
Præsidenten
Carl Th. Dreyer, 1919
By his father’s deathbed, the young Karl Victor von Sendlingen swears that he will never make the same mistake his father made in his youth: to marry a girl beneath his own station. The promise proves to have fatal consequences when Karl Victor falls in love with a young governess, whom he impregnates but refuses to marry as this would break his oath to his father. Many years later, he is a highly respected president of the court about to deal out judgment to a young woman who has killed her new-born child.
Blade af Satans Bog
Carl Th. Dreyer, 1921
'Leaves from Satan’s Book' is divided into four episodes set in four different historical eras. In each episode we follow Satan, who has been cursed by God and is doomed to tempt man. He will be redeemed only if he is resisted.
Du skal ære din Hustru
Carl Th. Dreyer, 1925
Ida toils from morning till night, while Viktor demands constant attention and is always complaining. When Ida moves back with her mother to recuperate, Mads the nursemaid takes over the household, shaking up Viktor’s daily routines. After a month under Mads's strict tutelage, Viktor is gracious and accommodating, but does he still have a chance with his beloved wife? The film was directed by Carl Th.
Flyvning uden Motor
Richard Johnsen, 1925
Ole Bims has invented a set of wings. Carrying a friend on his back, he flies away – all the way up to the moon, who hands him a bottle of brandy. But flying is not so easy when you’re drunk as a lord.
Nordisk Film gennem 30 Aar
Ubekendt, 1937
“30 Years of Nordisk Film” celebrates the thirtieth anniversary of Nordisk Film, featuring clips of the company’s major films from its first three decades. The first part consists of reportage films depicting important historical events such as the inauguration of King Frederik VIII in 1906 and Ellehammer’s first flight that same year. The rest of the film is a cavalcade of the greatest moments in Danish silent film history featuring the biggest stars of the time.
Elverhøj
Gunnar Helsengreen, 1910
The film is the second 1910 film adaptation of Heiberg’s classic about foundling children, superstitions and star-crossed lovers.Near Elves’ Hill (Elverhøjen) lives Karen, a superstitious farmer’s wife, with her daughter Agnete. Agnete and the noble Sir Ebbesen are very much in love, but to their great sorrow Ebbesen is betrothed to the noble-born Elisabeth Munk.
Foryngelseskuren
Robert Storm Petersen, 1921
A scientist has invented a serum that transforms the old into young and the old into new. His first subject – a very old man – gets a single injection and gradually turns into a baby. Meanwhile, three little men have stolen the syringe with the rejuvenation treatment, which they now give to men and livestock in dire need of it.
Lejla
Knud Nathansen, 1914
FRAGMENT | Lejla, a frivolous dressage rider, rides around with suitors and dances with death. Count Claes turns a deaf ear to all the warnings about Lejla’s behaviour. Claes only has eyes for Lejla’s beauty, but is blind to her rejections.